connecting*the*dots

Larry Lessig of Creative Commons is quite possibly the last person I would’ve expected to have a civil, working relationship with the late head of the MPAA, Jack Valenti.

I was ready to tar and feather Valenti after watching Kirby Dick’s brilliant documentary, This Film Is Not Yet Rated.

Live and learn, I suppose.

Each Sunday, I’m going to spotlight a Hip Hop artist who isn’t a product of the music industry and can’t be cornered into representing the stereotypes that are so convenient for American mainstream media to manipulate.

This week, it’s Dead Prez.

Let’s kick it off with an interview of M-1 by Tao Ruspoli of LAFCO, where M-1 breaks down both his inspirations and his very real decision to make revolutionary choices on a daily basis:

Now stic.man, the other half of DP, who shares an experience from childhood — and the American educational system — that put him squarely on the path of self-determination, self-expression, independence and freedom. Again, brought to you by the folks of LAFCO:

Every revolution needs to be documented, otherwise who would believe that it was ever happening in the first place? Atlanta based photographer, Shannon McCollum, is the man who does just that for DP:

Are you feeling what goes into their work yet? Now, the product itself:

Uh, uh, uh, 1-2, 1-2
Uh, uh, 1-2, 1-2, uh, uh
All my dogs…

[Hook]
It’s bigger than..hip..hop..hip..hop..hip..hop..hip..
It’s bigger than..hip..hop..hip..hop..hip..hop..hip-hop

[M1]
Uh, one thing ’bout music when it hit you feel no pain
White folks say it controls yo’ brain
I know better than that, that’s game
And we ready for that - two soldiers head of the pack
Matter of fact, who got the gat?
And where my army at? Rather attack and not react
Back to beats, it don’t reflect on how many records get sold
On sex, drugs and rock ‘n’ roll
Whether your project’s put on hold
In the real world; these just people with ideas
They just like me and you when the smoke and camera disappear
Against the real world *echos*
It’s bigger than all these fake-ass records
When po’ folks got the millions and my woman’s disrespected
If you check 1-2, my word of advice to you is just relax
Just do what you got to do; if that don’t work, then kick the facts
If you a fighter, rider, biter, flame-ignitor, crowd-exciter
Or you wanna jus’ get high, then just say it
But then if you a liar-liar, pants on fire, wolf-crier, agent wit’ a wire
I’m gon’ know it when I play it

[Hook]

[stic.man]
Uh, who shot Biggie Smalls?
If we don’t get them, they gon’ get us all
I’m down for runnin’ up on them crackers in they city hall
We ride for y’all - all my dogs stay real
Nigga, don’t think these record deals gon’ feed your seeds
And pay your bills, because they not
MCs get a little bit of love and think they hot
Talkin’ ’bout how much money they got; all y’all records sound the same
I’m sick of that fake thug, R&B-rap scenario, all day on the radio
Same scenes in the video, monotonous material
Y’all don’t here me though
These record labels slang our tapes like dope
You can be next in line and signed; and still be writing rhymes and broke
You would rather have a Lexus? or justice? a dream? or some substance?
A Beamer? a necklace? or freedom?
Still a nigga like me don’t playa-hate, I just stay awake
This real hip-hop; and it don’t stop ’til we get the po-po off the block
They call it…

[Hook 2x]

[Repeat 6x]
D.P.’s got that crazy shit
We keep it crunked-up, John Blazed and shit

(*”They call it, call it, call it” -> stic.man*)
(*”Fake, fake, fake records” -> M1*)

More Dead Prez:

• I Believe
• They School
• These Are The Times
• Radio Freq
• Mind Sex
• Hell Yeah

(shot by taoruspoli)

Founded in 2000, The Los Angeles Filmmakers’ Cooperative is a mobile production company based out of a fully equipped school bus. Loaded with digital HD video cameras, 3 editing stations, a portable library, a screening room, and room to sleep 5, the LAFCO bus has seen countless adventures in the United States and beyond, producing dozens of music videos, documentaries, and narrative films.

Click To Play

LAFCO’s clients include Sony Music, Big Imagination Group, JVC, dead prez, The Outlawz, Talib Kweli, Yellowcard, and several others. LAFCO was awarded the Best Editing prize at the prestigious Ann Arbor Film Festival for work on their first feature film, Camjackers.

Can you say dream gig?

(shot by stephenomenal)

National Poetry Month is coming to a close in a few days, but Clement Mallory might have just put it to bed last night with a bang.

With a packed house in the lecture hall of the Greensboro Historical Museum, Clement effortlessly moved the crowd as the emcee of the competition, displaying a rare range of lyrics and emotion, delivered across numerous poems as the judges tallied their results.

But there’s something other than talent that separates Clement from his peers.

While he’s making moves as an up and coming performer, it’s his foundation as a teacher and his Brooklyn born and raised personality that makes his approach unique.

The first half of the show consisted of a teen competition and by any “standard” of a spoken word competition, the kids delivered more poetry than passion — mostly standing behind a podium and reciting their words.

But as a teacher, Clement’s concern was visibly focused on the kids growth as poets, performers and their confidence with their own voice, not their current ability to rock the stage. His realness, casualness and sense of humor seeped from his soul each time he addressed the crowd — whether killing time between acts, giving advice to the kids after the adults slammed or while making connections with his next opportunity through an ill shout out.

Before the show was even half-way through, he had the audience completely eating out of his hands.

In the end, the finals of the adult slam came down to two poets battling it out for the first place prize — Monica Daye and Keith Robinson (A.K.A. The Arsonist). If it were up to me, they both would’ve walked away with top honors.

Click To Play

Click To Play

Click To Play

Keith Robinson (A.K.A. The Arsonist) ended up bringing home the $250 first prize, but it wasn’t because of this powerful drop. Let’s just say that this Marine veteran of the first Gulf War wasn’t feeling the actions of our current president.

Look for that winning slam on next week’s Lyricist Wednesday.

Another great night in GSO.

Earth Day, 2007 by Mr. Fish.

A few years old now, but as powerful as ever:

The reporter didn’t correct himself, forgetting to mention that the wall that Banksy addressed actually divides Palestine from itself *not* just Israel from Palestine.

In any event, Banksy went to town with his unique style:

(originally uploaded by FREEPAL)

(originally uploaded by FREEPAL)

(originally uploaded by the walker cleavelands)

He followed up the street art with a more traditional painting of Jesus & Mary unable to get to Bethlehem because of the Israeli wall:

(originally uploaded by FredR)

Classic.

In five days, it’ll be the four-year anniversary of “Mission accomplished.”

Unbelievable.

btw, Steven Connell is amazing.