Posts related to RSS


(originally uploaded by twotone streetart)

“If we don’t stop extending our troops all around the world in nation-building missions, then we’re going to have a serious problem coming down the road.”
- George W. Bush, October 3, 2000

November 6th, 2006

An Angle On Advertising


(shot in Greensboro, NC by Lisa Scheer)


(brilliance uploaded by xylonets)

Remember, indeed.

October 27th, 2006

Graffiti Friday: Toss The TV


(originally uploaded by ’stpiduko’)


(Artist: HelloBard, Oslo, Norway)

If anyone deserves a coloring book that illustrates their colorful quotes, it’s Pat Robertson.

And if 56 artist’s perspectives of Pat Robertson’s most discusting utterances isn’t enough for you, be sure to pick up David Kuo’s Tempting Faith: An Inside Story of Political Seduction — a well reviewed read about the Bush administration’s attempt to use Christianity for purely political ends.

Kuo’s two-part 60 Minutes interview can be found here and here.

(coloring book via Neatorama)


(originally uploaded by BombDog)

October 18th, 2006

Blue Column On Tate Street

tate street, greensboro
(photo by happyrobot)

teaching tagging

Lisa Scheer and I spent a few hours over at M’Coul’s Pub yesterday, melding minds over how to best use the web to expose her amazing eye to a larger audience and start a conversation about her passion.

Enter tagging.

After a few hours of exchanging philosophical approaches and dissecting interfaces, Lisa left with laptop in tow to start exploring her new sandbox.

Her castle is going to be dope.

October 13th, 2006

Graffiti Friday: Creative Love


(originally uploaded by JerryDoughnut)

My good friend David Bartel of DeepSoundChannel is performing this Saturday, October 14th at 11pm at Goodbye Blue Monday in Brooklyn, NY.

David’s an incredibly talented composer and musician; if you’re free Saturday night and dig futuristic, ambient, electronica, be sure to check him out.


(originally uploaded by .beauty.obscured.)

September 18th, 2006

Funniest. Venn. Diagram. Ever.

There’s more hilarity where that came from.

(via cb)

September 15th, 2006

Graffiti Friday: Disarm Bush


(photo by jewschool)

Margaret Bourke-White
Bread Line during the Louisville flood, Kentucky
1937

quick thought... September 12th, 2006 - 10:21AM

Banksy: “The time of getting fame for your name on its own is over. Artwork that is only about wanting to be famous will never make you famous. Any fame is a by-product of making something that means something. You don’t go to a restaurant and order a meal because you want to have a shit.”

September 12th, 2006

Terror Suspect Art Hits Disneyland

More Banksy brilliance!

Families visiting Disneyland on their holiday this week saw a life-size Guantanamo bay inmate standing inside the Rocky Mountain Railroad ride at Disneyland in Anaheim California.

The sculpture, consisting of an inflatable doll dressed in an orange jumpsuit with its hands and feet manacled remained in place for one and a half hours before Disneyland’s security staff shut down the ride and removed it amid fears over public safety.

(via Neatorama)

September 11th, 2006

Another Perspective On 9/11

September 8th, 2006

Screensaver On Crack

screensaver

Thanks to the good folks at plasq, my screen will now be saved by surreal urban environments splashed with graffiti and textures, all at the discount price of nothing.

Now if I could only have my RSS Visualizer appear within the environment itself…

(via FactoryCity)


(originally uploaded by niznoz, graf by borf)

September 1st, 2006

Graffiti Friday: Wage Slave


(originally uploaded by zippy_monster)

Nike acquired a Phantom v5 digital camera — usually reserved for studying military defense systems — to capture Tiger Woods’ swing at 4000 frames per second.

tiger woods' swing

I’m not a golf enthusiast, but I do love hitting the driving range every now and then. My approach to driving off the tee is a bit twisted; I’ve always imagined that the golf ball has just committed a violent crime against someone in my immediate family before I settle in to take my whacks.

Apparently, if my family were to be accosted in reality, my approach to retribution would only find the actual assailant 10% of the time and I’d get my ass kicked in the process.

But enough of my stupidity on the links. Keep your eyes fixed on Woods’ head and lower body during his entire back-swing. The man is a machine.

Oh, and by the way, what a beautiful piece of work by Nike and their agency of choice. The music is beyond apropos, reaching past elegant into the sublime.

(via Neatorama)

August 25th, 2006

Graffiti Friday: Organize!


(originally uploaded by Ann Althouse)

August 24th, 2006

Greensboro Hoops, Y’all

August 21st, 2006

Crazy Logic

Crazy Logic

Crazy Logic from the mashup mind of DJ Arty Fufkin.

(via BoingBoing)

August 18th, 2006

Graffiti Friday: Super Bush


(originally uploaded by Mr Case)

Translation: “You… and how many more?”

August 13th, 2006

A Southside Sunset

quick thought... August 12th, 2006 - 6:09PM

To my local yokels; I’m wondering aloud why no one else is tracking photographs of Greensboro? With so many local, community enthusiasts working so hard to make Greensboro the place to be, a miss like this leaves me scratching my head. Or is RSS still that foreign to most people?

August 11th, 2006

The Thick Red Line

A Red Line Connects Us
by Abby Sher

“I no longer wish to live my life as usual without acknowledging the widespread violence in the world today and memorializing those killed and injured in the many wars and other conflicts taking place. I chose this very public expression of my concerns in order to provide others who feel the same need a means of expressing their concerns too. As you will see on this site, there are many ways to participate in this project – some very private, and some public – but all conducted in silence. My hope is that together, through our shared participation, we can create a shift in consciousness, where no humanity is devalued and human life is held sacred.�

(via ScriptingNews)

HDR photography

Beautiful, eh? I just stumbled onto this amazing image rendering technique. I’ll let flickr user Kris Kros explain HDR:

“HDR stands for high dynamic range. There’s also a flickr group HDR that is focused with this new technique. Photoshop CS2 has HDR rendering too but my preference is to use Phtotomatix.

Now, this is not a replacement for graphic software like Photoshop. HDR is using multiexposure pictures and blending them into one great picture. But still, it all depends on the person who is using Photomatix. Like you either want more sugar or less for your coffee I guess.”

August 8th, 2006

Website DNA

seancoon.org dna

A neat little bit of coding from Web2DNA; translate your blog code structure into a DNA pattern image.

Considering our current events, I think it’s high time to re-release Terry Gilliam’s masterpiece, Brazil (the directors cut, mind you).

Hard to believe that this beautiful, humorous and chilling narrative was originally released 20 years ago…


(originally uploaded by Drownedrat)

July 20th, 2006

A “Just Right” Town


Online Videos by Veoh.com

I’ve lived in 10 different towns within 4 different states over the past 12 years and never has my interest in local politics and community piqued beyond a yawn until I moved to Greensboro, NC.

I swear there’s something in the water.

(via Ed, original video by Tom Lassiter)

July 18th, 2006

Following Sean

It’s strange how you’ll pause to investigate something as innocuous as a mention of your own name used elsewhere. I’m glad I did, otherwise I would’ve never come across the story of Sean Farrell (and in many ways, the story of all of us).

[…]

Sean’s casual commentary on everything from smoking pot to living with speed freaks was delivered in simple sincerity throughout the soon-to-be famous 15-minute film. This First Child of the notorious decade may have shaken the audience with his simple sentence — “Sure, I smoke pot” — but it was his barefoot impishness which would encapsulate the hope that lay in front of the nation: a promise of infinite possibility.

Thirty years, three generations, and a lifetime later, Arlyck has returned to San Francisco in search of who the adult Sean might have become. And what he finds, to his surprise, tells him as much about his own east-coast migration as it does about the Californian life he left behind-that the choices we’re handed and the choices we make are, very often, quite odd bedfellows.

Anyone know where I can get a copy of Ralph Arlyck’s 1969 student film, Sean?



Full RSS feed Full RSS feed
No Tweets RSS feed No Tweets RSS feed