connecting*the*dots

For my best friend…

I found this striking mural a few months back while knee deep in my late night Flickr ritual of browsing imagery by contextual navigation of topical tags. As the night wore on I drifted from tags like art to street art to graffiti, eventually resting on Malcolm X.

After staring at the shot for a few minutes, I realized why this particular image struck me — on two distinct levels:

• The mere existence of such a powerful representation of Malcolm X and his words embedded in the public square for all to see
• The absence of his complete representation, both physical and philosophical, due to elemental deterioration over time

In the real world — before the internet created another dimension for the documentation of expression and our collective histories — all atom based elements had a shelf life.

Street art, by it’s very nature, had even a shorter life span.

But here I was, stumbling across this deteriorating, real world representation, frozen in time (at what point in time I have no idea) by someone who made an explicit decision to digitize the real for the sake of posterity.

Without the internet, this work — this message — might have already drifted away from our consciousness.

Speaking of the message, only a few lines of Malcolm X’s quote remained legible in it’s original format. It seemed familiar to me, so I took a few moments to run a Google search of the words I could decipher.

Thanks to the collective participation of people publishing to the internet, within a matter of moments, I was able to piece together the original context of the quote from the mural:

“With every succeeding page, I also learned of people and places and events from history. Actually the dictionary is like a miniature encyclopedia. Finally the dictionary’s A section had filled a whole tablet — and I went on into the B’s. That was the way I started copying what eventually became the entire dictionary.”

Context is knowledge, so I circled back to the image and added the text that would have surrounded the original quote on the wall if the wall were 50 feet high.

The Internet On This Day

Eighty-two years ago today, Malcolm X was born Malcolm Little to Earl Little and Louise Helen in Omaha, Nebraska.

Depending on your company, Malcolm X is often remembered as either an inspiration — an educated, revolutionary, evolutionary force — or an extremist that preached hate.

Without the internet, the latter of these two descriptions could easily edify his legacy for future generations to come.

With the internet, we have context of evolution and truth:

The Early Years In The Nation Of Islam

Debating At Oxford University

Returning From Mecca

A New Direction, Seeing Death In The Distance

The Assassination Of Malcolm X

Paying Tribute

Living In His Footsteps

Our Collective Responsibility

Prior to the internet, the reality of our lives drifted into the annals of time and both the discrete and general narratives of history were crafted by those with the power to publish and distribute knowledge.

Today, we must recognize the importance and responsibilities of living in a digital age.

It is our responsibility that we be vigilant in documenting our knowledge for the serendipitous discovery of our fellow man, both today and years into the future — no matter our focus or industry.

Because if it’s not us taking advantage of this platform, the traditional owners of history will be more than happy to seep into play and stake their claim.

And that would be a wasted opportunity to make his-tory, our-story.

The Crimson Permanent Assurance, indeed, but younger… and willing to work with their masters while sailing the high seas… and a happy ending?

Arrr!!!

(shot by taoruspoli)

Founded in 2000, The Los Angeles Filmmakers’ Cooperative is a mobile production company based out of a fully equipped school bus. Loaded with digital HD video cameras, 3 editing stations, a portable library, a screening room, and room to sleep 5, the LAFCO bus has seen countless adventures in the United States and beyond, producing dozens of music videos, documentaries, and narrative films.

Click To Play

LAFCO’s clients include Sony Music, Big Imagination Group, JVC, dead prez, The Outlawz, Talib Kweli, Yellowcard, and several others. LAFCO was awarded the Best Editing prize at the prestigious Ann Arbor Film Festival for work on their first feature film, Camjackers.

Can you say dream gig?

(originally uploaded by cyu06)

I don’t exactly know what gear I’m moving into, but I’m definitely popping the RPM’s as I write this.

My day-to-day has evolved from a free fall of focus two years ago to a full-time operation running dotmatrix, collaborating with more than a handful of clients with unique and challenging work, assisting with the planning of this year’s ConvergeSouth and attempting to get The People, Yes off the ground.

In between those extremes of exploration and consternation, I found myself using this spot for sharing, pimping, contextualizing, opining, pointing and anything else under the sun I found valuable and interesting.

Well, it’s about time I get focused.

Yeah, I had a similar “state of the blogger” moment a few months back, but this time I’m a bit more motivated to down-shift into documenting my various efforts, especially along the lines of The People, Yes.

I refuse to become myopic or dry — graffiti, lyrics, images, poetry; all have a place — but I am making a turn, hopefully for the better.

Hold on, please.

Chris Anderson and Will Hearst talking shop in May of 2006:

Publisher, Will Hearst, on the evolution of journalism:

[..] In the era of 20 years ago, there was a notion of a professional journalist — I’m not saying let’s race back to that era — what I’m saying is that notion is utterly gone. And what we are seeing as so-called professional journalism is really freelance material, shot in Baghdad, shipped to New York, somebody voice-overs it and that’s supposed to be “live news.”

And we’re covering Israel out of London and we’re covering Nairobi out of Tokyo, you know, we’re kidding ourselves. So in a way, I think the cure is not to go backwards, but to go forwards and to label that stuff and get more of that material and do away with this pseudo-professional news, which it really isn’t.

I mean if we’re gonna have “citizen journalism,” then let’s have it. […]

I completely appreciate the sentiment, but Will Hearst knows better than anybody that isn’t going to occur through the existing mainstream channels.

Mainstream news outlets — television and newspaper alike — are busy attempting to figure out how to keep the best parts of their old revenue model in place while leveraging the independent voices of the information age.

While the conglomerates look for new ways to count the same beans, innovative distribution models with decentralized reporting have already taken hold.

This shouldn’t be the cornerstone of the conversation, though. Even without an organized effort to distribute decentralized reporting, there are already 30 million active blogs in play around the world.

The news is becoming hyper-local and hyper-topical without the steady hand of industry drivers to guide it; traditional journalism is going the way of the stock broker.

Now traditional ethics? Well, that’s another story entirely…