connecting*the*dots

Let’s hope the rumors are nothing more than that.

UPDATE: David is warm to the idea of Disney imagineers coming up with a Downtown Disney fit for Greensboro.

No thanks. Call me old fashioned, but I don’t Disney where I eat.

Half a lifetime ago, I worked in this now-empty space. And for 40 days after the attacks, I worked here again, trying to make sense of what happened, and was yet to happen, as a reporter.

All the time, I knew that the very air I breathed contained the remains of thousands of people, including four of my friends, two in the planes and — as I discovered from those “missing posters” seared still into my soul — two more in the Towers.

And I knew too, that this was the pyre for hundreds of New York policemen and firemen, of whom my family can claim half a dozen or more, as our ancestors.

I belabor this to emphasize that, for me this was, and is, and always shall be, personal.

And anyone who claims that I and others like me are “soft,”or have “forgotten” the lessons of what happened here is at best a grasping, opportunistic, dilettante and at worst, an idiot whether he is a commentator, or a Vice President, or a President.

However, of all the things those of us who were here five years ago could have forecast — of all the nightmares that unfolded before our eyes, and the others that unfolded only in our minds — none of us could have predicted this.

Five years later this space is still empty.

Five years later there is no memorial to the dead.

Five years later there is no building rising to show with proud defiance that we would not have our America wrung from us, by cowards and criminals.

Five years later this country’s wound is still open.

Five years later this country’s mass grave is still unmarked.

Five years later this is still just a background for a photo-op.

It is beyond shameful.

At the dedication of the Gettysburg Memorial — barely four months after the last soldier staggered from another Pennsylvania field — Mr. Lincoln said, “we cannot dedicate, we cannot consecrate, we cannot hallow this ground. The brave men, living and dead, who struggled here, have consecrated it, far above our poor power to add or detract.”

Lincoln used those words to immortalize their sacrifice.

Today our leaders could use those same words to rationalize their reprehensible inaction. “We cannot dedicate, we can not consecrate, we can not hallow this ground.” So we won’t.

Instead they bicker and buck pass. They thwart private efforts, and jostle to claim credit for initiatives that go nowhere. They spend the money on irrelevant wars, and elaborate self-congratulations, and buying off columnists to write how good a job they’re doing instead of doing any job at all.

Five years later, Mr. Bush, we are still fighting the terrorists on these streets. And look carefully, sir, on these 16 empty acres. The terrorists are clearly, still winning.

And, in a crime against every victim here and every patriotic sentiment you mouthed but did not enact, you have done nothing about it.

And there is something worse still than this vast gaping hole in this city, and in the fabric of our nation. There is its symbolism of the promise unfulfilled, the urgent oath, reduced to lazy execution.

The only positive on 9/11 and the days and weeks that so slowly and painfully followed it was the unanimous humanity, here, and throughout the country. The government, the President in particular, was given every possible measure of support.

Those who did not belong to his party — tabled that.

Those who doubted the mechanics of his election — ignored that.

Those who wondered of his qualifications — forgot that.

History teaches us that nearly unanimous support of a government cannot be taken away from that government by its critics. It can only be squandered by those who use it not to heal a nation’s wounds, but to take political advantage.

Terrorists did not come and steal our newly-regained sense of being American first, and political, fiftieth. Nor did the Democrats. Nor did the media. Nor did the people.

The President — and those around him — did that.

They promised bi-partisanship, and then showed that to them, “bi-partisanship” meant that their party would rule and the rest would have to follow, or be branded, with ever-escalating hysteria, as morally or intellectually confused, as appeasers, as those who, in the Vice President’s words yesterday, “validate the strategy of the terrorists.”

They promised protection, and then showed that to them “protection” meant going to war against a despot whose hand they had once shaken, a despot who we now learn from our own Senate Intelligence Committee, hated al-Qaida as much as we did.

The polite phrase for how so many of us were duped into supporting a war, on the false premise that it had ’something to do’ with 9/11 is “lying by implication.”

The impolite phrase is “impeachable offense.”

Not once in now five years has this President ever offered to assume responsibility for the failures that led to this empty space, and to this, the current, curdled, version of our beloved country.

Still, there is a last snapping flame from a final candle of respect and fairness: even his most virulent critics have never suggested he alone bears the full brunt of the blame for 9/11.

Half the time, in fact, this President has been so gently treated, that he has seemed not even to be the man most responsible for anything in his own administration.

Yet what is happening this very night?

A mini-series, created, influenced — possibly financed by — the most radical and cold of domestic political Machiavellis, continues to be televised into our homes.

The documented truths of the last fifteen years are replaced by bald-faced lies; the talking points of the current regime parroted; the whole sorry story blurred, by spin, to make the party out of office seem vacillating and impotent, and the party in office, seem like the only option.

How dare you, Mr. President, after taking cynical advantage of the unanimity and love, and transmuting it into fraudulent war and needless death, after monstrously transforming it into fear and suspicion and turning that fear into the campaign slogan of three elections? How dare you — or those around you — ever “spin” 9/11?

Just as the terrorists have succeeded — are still succeeding — as long as there is no memorial and no construction here at Ground Zero.

So, too, have they succeeded, and are still succeeding as long as this government uses 9/11 as a wedge to pit Americans against Americans.

This is an odd point to cite a television program, especially one from March of 1960. But as Disney’s continuing sell-out of the truth (and this country) suggests, even television programs can be powerful things.

And long ago, a series called “The Twilight Zone” broadcast a riveting episode entitled “The Monsters Are Due On Maple Street.”

In brief: a meteor sparks rumors of an invasion by extra-terrestrials disguised as humans. The electricity goes out. A neighbor pleads for calm. Suddenly his car — and only his car — starts. Someone suggests he must be the alien. Then another man’s lights go on. As charges and suspicion and panic overtake the street, guns are inevitably produced. An “alien” is shot — but he turns out to be just another neighbor, returning from going for help. The camera pulls back to a near-by hill, where two extra-terrestrials are seen manipulating a small device that can jam electricity. The veteran tells his novice that there’s no need to actually attack, that you just turn off a few of the human machines and then, “they pick the most dangerous enemy they can find, and it’s themselves.”

And then, in perhaps his finest piece of writing, Rod Serling sums it up with words of remarkable prescience, given where we find ourselves tonight: “The tools of conquest do not necessarily come with bombs and explosions and fallout. There are weapons that are simply thoughts, attitudes, prejudices, to be found only in the minds of men.

“For the record, prejudices can kill and suspicion can destroy, and a thoughtless, frightened search for a scapegoat has a fallout all its own — for the children, and the children yet unborn.”

When those who dissent are told time and time again — as we will be, if not tonight by the President, then tomorrow by his portable public chorus — that he is preserving our freedom, but that if we use any of it, we are somehow un-American…When we are scolded, that if we merely question, we have “forgotten the lessons of 9/11″… look into this empty space behind me and the bi-partisanship upon which this administration also did not build, and tell me:

Who has left this hole in the ground?

We have not forgotten, Mr. President.

You have.

May this country forgive you.

Keep bringing the truth Keith, hard and fast — no matter what you’re called.

While you’re finding enunciating your voice, do know that you’re speaking for many of us in the process; people that don’t believe that a hundred thousand dead Iraqi’s will ever bring back our dead and our shallow innocence lost of five-years past and will only give birth to the repeat cycle of violence.

You’re speaking for a people who want justice, first and foremost, with bin Laden put away in a cell or a pine box, his choice.

Most importantly, the people you speak for don’t buy into the much marketed fear of the future, because we refuse to climb aboard a self-fulfilling prophesy to live in such a state.

The people you speak for are Americans, and we are not afraid.

Get us to 2008, Keith. We’ll take care of the rest.

More Banksy brilliance!

Families visiting Disneyland on their holiday this week saw a life-size Guantanamo bay inmate standing inside the Rocky Mountain Railroad ride at Disneyland in Anaheim California.

The sculpture, consisting of an inflatable doll dressed in an orange jumpsuit with its hands and feet manacled remained in place for one and a half hours before Disneyland’s security staff shut down the ride and removed it amid fears over public safety.

(via Neatorama)

(photo by Jesus’ General)

Reuters
ABC Scrambling to Change 9/11 Drama

[…]

Officials at the Walt Disney Co.-owned network said they were still tinkering with the five-hour production, titled “The Path to 9/11,” which is scheduled to air without commercial interruption in two parts on Sunday and Monday.

But ABC declined to say how the movie was being reshaped or whether any changes would address specific complaints lodged by Clinton, his former aides and congressional Democrats that the film contained numerous inaccuracies and distortions.

The Hollywood trade paper Daily Variety, citing sources close to the project, reported the network was considering canceling the miniseries altogether.

The docu-drama, which ABC says is based largely on the official 9/11 Commission Report, opens with the 1993 bombing of the World Trade Center in New York and traces subsequent events leading up to the coordinated suicide hijackings five years ago that killed nearly 3,000 people.

Much of the controversy focuses on a scene depicting CIA agents and Afghan fighters coming close to capturing al Qaeda leader Osama bin Laden in the 1990s, only to have then-White House national security adviser Samuel Berger refuse to authorize completion of their mission.

An unfinished version of the film circulated by ABC to TV critics for review portrays Berger as abruptly hanging up the phone while the CIA is pressing him to approve the raid.

In letters of protest to Disney President Robert Iger, Berger and former White House aide Bruce Lindsey said no such episode ever occurred.

The executive producer of the film, Marc Platt, acknowledged to Reuters on Thursday the Berger scene was a “conflation of events.”

The film also drew denunciations from Clinton supporters for strongly suggesting his administration was too distracted by the Monica Lewinsky sex scandal to deal effectively with the gathering threat of Islamic militancy. Lindsey said the 9/11 Commission Report disputed that notion.

[…]

This is what you get when you try to cash in too early on a national tragedy.

Remember the films JFK and Pearl Harbor? Both films took tremendous license in their portrayals of actual events, but the difference is that they did so 28 and 60 years after the fact, respectively. And while each took accuracy jabs from critics, neither had to deal with this degree of criticism because the emotional scars of the American public had already healed and the people who were on watch during these tragedies were either retired or dead.

With the airing of The Path to 9/11 on the eve of the five year anniversary of the events of that day, we also happen to be stuck, knee-deep, in a war that has been proven to have no relationship to the events of that day. No matter what inaccuracies are found — from either side of the aisle — this production was bound to catch major flack for trying to feed a narrative to a still healing nation, ever so hungry for the truth, not some docu-drama version of the events leading to 9/11.

Who Made The Call To Produce This Film?

In my estimation, there are only two possible reasons why Disney/ABC would give the green light on this production at this time:

1. Karl Rove instructed his minions to write the narrative and convince Disney/ABC to produce the film
2. Disney/ABC is simply gambling on the old adage, “There is no such thing as bad PR”

As a firm believer in the power that human greed wields in shaping our world over back door conspiracies, I’m sitting pretty squarely in the second camp (though I couldn’t help using the above image of Mickey Rove; Gen. JC Christian, Patriot is a genius).

I’m betting that Disney/ABC figured that this would be business as usual, though blown up a bit due to the subject matter; you know the formula — create a controversy, sell the advertising, line the pockets and move on unscathed within a few weeks.

What they didn’t take into consideration is the age that we live in now — where blog reach is both gaining traction in the very same homes that their sugar-coated narrative is being presented, as well as influencing the presentation of popular shows on TV (The Daily Show and The Colbert Report to name a few).

When a passive audience starts to become more active in their digestion of information, these old axioms of capitalism begin to start biting mainstream marketing strategies in the ass.

To make my point, let me perform a few minutes worth of Google research… Okay, I’m back (and my own thesis has shifted somewhat after only 20 minutes). Take this bit of information from HuffPost as an example of how nutritional facts for digesting reality can change a perspective in a matter of minutes:

[…]

In fact, “The Path to 9/11″ is produced and promoted by a well-honed propaganda operation consisting of a network of little-known right-wingers working from within Hollywood to counter its supposedly liberal bias. This is the network within the ABC network. Its godfather is far right activist David Horowitz, who has worked for more than a decade to establish a right-wing presence in Hollywood and to discredit mainstream film and TV production. On this project, he is working with a secretive evangelical religious right group founded by The Path to 9/11’s director David Cunningham that proclaims its goal to “transform Hollywood” in line with its messianic vision.

Before The Path to 9/11 entered the production stage, Disney/ABC contracted David Cunningham as the film’s director. Cunningham is no ordinary Hollywood journeyman. He is in fact the son of Loren Cunningham, founder of the right-wing evangelical group Youth With A Mission (YWAM). The young Cunningham helped found an auxiliary of his father’s group called The Film Institute (TFI), which, according to its mission statement, is “dedicated to a Godly transformation and revolution TO and THROUGH the Film and Television industry.” As part of TFI’s long-term strategy, Cunningham helped place interns from Youth With A Mission’s in film industry jobs “so that they can begin to impact and transform Hollywood from the inside out,” according to a YWAM report.

Last June, Cunningham’s TFI announced it was producing its first film, mysteriously titled “Untitled History Project.” “TFI’s first project is a doozy,” a newsletter to YWAM members read. “Simply being referred to as: The Untitled History Project, it is already being called the television event of the decade and not one second has been put to film yet. Talk about great expectations!” (A web edition of the newsletter was mysteriously deleted yesterday but has been cached on Google at the link above).

The following month, on July 28, the New York Post reported that ABC was filming a mini-series “under a shroud of secrecy” about the 9/11 attacks. “At the moment, ABC officials are calling the miniseries ‘Untitled Commission Report’ and producers refer to it as the ‘Untitled History Project,’” the Post noted.

[…]

Hm… Maybe I was too quick to espouse my faith in greed over conspiracies? I highly doubt I’ll be going to Disneyland again. In any event, the chances of Disney/ABC walking away clean from this beaut of a mis-timed and shady production is slim to none.

The Future Of Market Accountability

As the ecosystem for delivering entertaining, informative and personalized information gains a new foothold of innovation each and every year, we’re becoming deeper and deeper immersed within the information age.

The people formally known as the audience are becoming more politically aware through osmosis these days. And the harder the mainstream, one-way channels are leveraged to message us with constructed narratives, the easier it becomes for us to unbundle the programming and filter fact from fiction — no matter our brand of politics.

An analogy: The addition of nutritional labels to food products years ago didn’t end up preventing obesity, but the presentation of nutritional meta-data sure as hell increased the potential for new forms of viable economic levers within the food industry.

As high-fat foods in the mid-nineties and high-carb foods over the past few years have taken a hit due to greater consumer awareness, low-fat and low-carb products have gained a place in the market at a higher selling point due to simple demand.

My point?

While a conglomerate like Disney/ABC can get away with producing a film with this level of empty calories here and there, as we move deeper into the online revolution, such blatant disregard for nutritious content could easily lead to the collapse of advertising arteries via brand corrosion, as an informed public is now armed with digital printing presses.

And man, is the web chock full of beating hearts willing to pump out blood or what?