connecting*the*dots

I’m a registered Independent, so everyone is fair game for me to criticize. And that’s my only beef with Michael Moore’s approach to his work. While I agree with his stance on about everything he’s dropped, he practically disappeared from the theatre-going public eye for eight years while Clinton was in office. Okay, he made “Big One,” but that doesn’t quite count.

If you’re a documentary filmmaker, attempting to represent the best interests of the people in this country, specifically the under-privilaged, don’t be partisan. There’s more than enough bullshit on Capitol Hill to sift through during any administration in the White House.

Greed, shadyness and stupidity don’t hold political cards.

I realize that Moore didn’t vote for Clinton or Gore in the last two elections, but his films projects a perception of a hardcore anti-Republican stance, instead of one that just supports doing the right thing, first and foremost. The government of this country—including the media—operates with the smoke and mirrors of a two-party system, meaning that Moore’s output can then be manipulated to work against the Democratic party, as he is presented as a strong supporter of “the other side.”

There’s nothing wrong with choosing a party to support per se, but when his agenda is to open the eyes of the fringe to sway votes (with Fahrenheit 9/11), middle-ground needs to be served in the midst of the sniper fire as a peace offering.

No matter! I’m counting the days for the release of “Fahrenheit 9/11.” I’m hoping he can put to celluloid at least a chunk of emotions that I’ve been struggling with for the past 3+ years. Call him what you may, but Moore does have a knack for capturing the poignancy of a particular issue.